ART:

Instagram: Pixie.Danger

Stippling, , skulls and shit.

Printing/Design:

Shapeways: K80Bot

Custom cookie cutters, jewelry and prop replicas.

Costuming:

Design and fabrication of costumes, wigs and accessories.... just for funsies. 

 

Puppetry:

Works in Progress 

TechnoBabel- A Mythos for Modern Technology
Experimental puppetry performance utilizing passive sensors to compose music in real time in response to movement. 
Workshopped at the National Puppetry Conference at the Eugene O'Neill Theatre Center in 2015.

Developed at the O'Neill National Puppetry Conference, 2015. Performers- Conan Magee, Houstoun Demere and Sarah Goone Directed by Katie Correll

Short Form Puppetry

A Ghostbusters Guide to Fanfiction
Janine performs an excerpt from her latest work. 
Developed for the DragonCon Late Night Puppet Slam 2014.

 

 

 

 

Black BoX
An octopus investigates a new addition to its environment. 
Developed with Philip Huber at the National Puppetry Conference at the Eugene O'Neill Theatre Center in 2015.

 

 

 

Cosmic Intervention
Iconic scifi franchises gather to discus new developments in their universe. 
Developed for the DragonCon Late Night Puppetry Slam 2013. 

 

 

 

 

Dance :

#Raptorswag
Senior Duet to Music Box by Regina Spektor.
Co-Choreographed with Christie Cutting.

 

KNOW
Using a sense of ENCOMPASSING RHYTHM and unity this PIECE explores the extent to which time drives and controls our lives and whether or not we can escape it.  
Developed for Carnegie Mellon Dancers Symposium Spring 2014

 

UnKOWN
This piece explores our innate fear of the unknown by concealing and altering characteristic features of humanity to create an unsettling tableau. 
Developed for Carnegie Mellon Dancers Symposium Fall 2013. 

 

Stage:

All In the Timing
As a part of an investigation into Human Robot Interaction, the Personal Robotics Lab and the School of Drama at Carnegie Mellon collaborated to produce a performance with a robot actor. This necessitated the development of new software to control and plan the movement and intonation of the robot performer both during rehearsal and in real time.